Searching for Strip Search – Part One

The year was 2012. America said they could (again), I launched my own webcomic (oh God, the art!) and as if in response JPEG juggernaut Penny Arcade ran their very first Kickstarter campaign. This campaign was nominally for the removal of ads from their site, but the real reason we all backed it was hidden in the stretch goals – the promise they’d create the world’s first webcomic reality game show: Strip Search. Five years on I wondered, what happened to the twelve contestants on that show which was, perhaps, before it’s time? Here’s what I found.

For those of you unfamiliar with the single-season show produced by PATV and Loading Ready Run, here’s a quick run-down. Strip Search aired online between March and June 2013, running a familiar “reality TV” format: twelve artists were picked from a multitude of applicants (yeah, including me), and proceeded to battle their way through thirty-one episodes of coaching, industry experience, and tense elimination challenges. The prize? A year working in the Penny Arcade offices, hosting and advertising through the PA site, and access to all their internal resources.

Depending on what webcomics you read, those twelve names might be a bit unfamiliar these days. I know I found most of these guys – particularly the ones eliminated early in the competition – had fallen off my radar. I wanted to know what they’d been doing over the past five years, if they were still making webcomics, and how their art and writing had developed since the show. Today, I’d like to share a bit about the first three contestants who left the show: Alex Hobbs, Ty Halley, and Lexxy Douglass. Continue reading

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What’s in a Name?

If you’re on this website, chances are you’re familiar with webcomic creator Evan Dahm (Rice Boy, Vattu, Order of Tales). Even if you weren’t before this week’s podcast episode, you’re probably at least now familiar with a tweet he put out on April 6 2017 questioning the relevancy of the term “webcomic” and calling the word “obsolete.” Steve and Jason had a good chat about this in the podcast, and I’m not going to rehash their arguments here but I did want to weigh in on two points myself – that webcomics have an unique identity and are, at the end of the day, still an important (if not as niche) scene.

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