Jason is back from kid-havin’ so we have a new episode! Noelle Stevenson is working on the She-Ra reboot for Netflix and considering her previous work, that has both Jason and Steve pumped. Steve also brought LOLNEIN before the court to judge. It’s a quirky comedy strip that makes the most out of everyday objects, sometimes to lewd, hilarious effect.
We celebrate diversity at Digital Strips, and you can’t get much more diverse than the divide between the two comics in this week’s episode. Dark Simpsons shows us what our favorite animated characters would be like in the hands of the a devious, macabre devil while Fruity Cutie Rescue is sweet as can be and just a wonderful good time from the talented creator of Precious Rascals.
Love it or hate it, there’s no denying that Steven Spielberg’s latest movie Ready Player One– based on the novel by Ernest Cline – was a commercial hit. In an age where the real-L.I.F.E immersive qualities of Virtual Reality are only beginning to be explored, Cline’s story of a digital Willy-Wonka-style Golden Ticket hunt clearly spoke to modern audiences.
Of course, Webcomics long pipped Parzival at the top of the leaderboard, having used their digital platform to explore life within simulations for almost as long as the medium has existed. Today, we’re looking at one of the clearest examples, and dissecting how it’s built its own Oasis for readers to escape to.
This episode is all about CAW4HW, or A Comic a Week For a Hundred Weeks, or Caw For Haw. No matter what you call it, you’re bound to laugh at a few of the jokes creator Jawkly has here. Steve and Jason discuss their favorite gags, as well as a possible future for the comic and hope for continued comics from Jawkly.
In our celebration around the show’s 500th episode, we looked back at some of the Digital Strips interview Alumni – people who, since their appearance on the show, had gone on to either great webcomics success, or [INDEFINITE HIATUS].
Today, we’re going to have another look back on some of the names and personalities that have graced the Digital Strips airwaves in times past, and examining what these creators are up to today. Continue reading
If you haven’t sat and debated the nature of classic Looney Tunes characters, then do we have a fascinating illustrated conversation to share with you! Also, we’re looking at the 2018 Eisner nominees for Best Webcomic (scroll to the very bottom of the list). There is some outstanding work represented, but the people who choose these comics would do well to provide some new categories so the various subjects can breathe a bit more. Still, a lot of good stuff to check out, so we can’t complain too much!
We’ve spent the past month looking at words – podcasting webcomics is, after all, dependant on the hosts or interviewees talking (or else is dull listening, indeed).
But webcomics are a vast and descriptive medium that doesn’t, itself, always rely on those words. We’re talking, of course, about the pantomime comic, and how they speak to us simply and effectively through their art – not their dialogue.
After a brief bit of news about He Is A Good Boy, it gets all adorable and fanciful when we review Katie Cook’s Nothing Special. The guys definitely have conflicting opinions on the look and feel of this cutesy but earnest and emotional comic, but they ultimately agree that the story is worth checking out.
Over the past month, we’ve taken a retrospective look at the institution that is Digital Strips. We’ve looked at the people behind the magic, from the early days of Daku and Zampzon, to today’s fearless duo of The Geek and Midnight Cartooner. We’ve looked at some of the creators that have graced the Digital Strips airwaves to speak about their comics and their experiences as creators on the web. But we would be remiss if we didn’t look back on the core of the podcast, the very thing that gets the hosts coming back to the mic every week, what gives us the opportunity to write these incessant and sprawling articles. That is, of course – the Webcomics. Continue reading