If you’ve been on Netflix during February, you’ve probably noticed the revival of the early noughties classic Queer Eye for the Straight Guy – Netflix’s own Queer Eye has been getting a ton of praise from critics and audiences alike and seems well on track to be a lasting hit.
The show is notable for taking the Queer-positive message of the original series and updating it for the modern era: whereas the initial Queer Eye aimed to bring LGBTQI issues into the spotlight in a manner never seen before on TV, the modern incarnation is focused on normalising this presence and reinforcing positive attitudes in both the episode’s subjects and viewers.
Of course, this campaign has also long been a feature of webcomics: some of the greatest comic art on the web has either been created by LGBTQI artists/writers, and the themes of acceptance and tolerance, and deep explorations of sexuality and gender are common on the digital page. Below are only a few examples amongst dozens of webcomics which have elegantly and eloquently presented these issues to their audiences. Continue reading →
Last week, we looked at the way webcomics such as Starslip, Homestuck and Girl Genius, each have used time travel as part of their narrative – specifically, the time travel trope known as a stable time loop. But in an alternate reality out there somewhere, that was the topic for today’s post instead – and last week was when we stopped to look at how time travel can result in the future you left looking much different to how you remembered it, upon your return… Continue reading →
Steve and Jason’s Webcomic Colonic this week got me thinking about the way webcomics change over time – like Steve says, the webcomic you’re reading today might not be the one you signed on for when you first started reading. The longer a comic runs, the more fundamental these changes can get.
Now, as I mentioned back in May, I’m a bit of a fan of Dan Shive’s El Goonish Shive. There’s a lot about the comic to recommend it – the (current) art style, the excellent writing and story structure, the themes it deals with regarding gender issues and the diversity of its cast. Recently, the comic has been expanding the history and role of character Pandora (Chaos) Raven – Immortal being of immense power and (until this examination began?) one of the primary antagonists of the comic. So do the recent changes to the Pandora character in El Goonish Shive suggest a fundamental change to the comic itself? Or is it, as Jason puts it, the privilege of watching the writer’s perspective change over time? Continue reading →