Queer Eye for the Comics Guy

If you’ve been on Netflix during February, you’ve probably noticed the revival of the early noughties classic Queer Eye for the Straight Guy – Netflix’s own Queer Eye has been getting a ton of praise from critics and audiences alike and seems well on track to be a lasting hit.

The show is notable for taking the Queer-positive message of the original series and updating it for the modern era: whereas the initial Queer Eye aimed to bring LGBTQI issues into the spotlight in a manner never seen before on TV, the modern incarnation is focused on normalising this presence and reinforcing positive attitudes in both the episode’s subjects and viewers.
Of course, this campaign has also long been a feature of webcomics: some of the greatest comic art on the web has either been created by LGBTQI artists/writers, and the themes of acceptance and tolerance, and deep explorations of sexuality and gender are common on the digital page. Below are only a few examples amongst dozens of webcomics which have elegantly and eloquently presented these issues to their audiences.

Questionable Content by Jeph Jacques

Beginning as an indie-rock comic in 2003, QC has steadily grown over the years to be one of the most widely-read comics on the internet (and certainly one of the most cited – on this blog, at least). As it’s grown, so has the complexity of its characters: Marten, the initial protagonist, began as simply a “music nerd” who was “hopeless and awkward around women” – to the point he couldn’t even think about an attractive woman without making an arse of himself…

As the years passed, Marten’s character developed – and took the audience with him. He went from a stuttering music nerd, to a young man in a stable relationship, to a single man struggling to accept his casual girlfriend being in a different place of their relationship, to learning from that experience and becoming the sensitive and empathetic man who could react like this when a friend opened up to him:

And, ultimately:

Marten’s character arc clearly takes him through the same sort of journey the new Queer Eye program also intends to take it’s viewers on, beginning with his inherent tolerance and building that up to his total acceptance of his current girlfriend’s gender identity. And he’s not alone in the comic: Jacques introduced his first Queer character, Tai the librarian, in 2006 and shortly thereafter Dora Bianchi identified as bisexual (2007). Most recently, the narrative of the comic has shifted away from Marten in favour of Faye, a longtime character who is slowly but surely exploring her feelings for her closest friend and roommate, Bubbles the (female) robot. Jacques clearly intends to explore the development of these nascent feelings into the future, so the comic is definitely worth keeping a (queer) eye on in months to come.

Girls With Slingshots by Danielle Corsetto

Another powerhouse of the webcomics world, Corsetto’s strip about the eponymous girls – Hazel and Jamie – and their supporting cast of characters across the whole range of the gender spectrum has long been the gold standard for queer representation in the webcomic world. Corsetto is particularly notable for highlighting gender identities that don’t often get represented in media, such as Asexuality and… whatever Jamie is comfortable calling herself.

The character of Jamie is also used to explore non-traditional relationships such as when her long-term partnering with Asexual girlfriend Erin expanded into polyamory.

Whilst the development is certainly used to drive drama in the story, the conflict is centered on personal acceptance of change, rather than moralising on the premise of polyamory itself – which is instead presented as simply one of many relationship options available to the characters of the comic. Corsetto’s normalisation of non-cis and non-traditional relationships also extends to more represented queer relationships, turning the lens on the way that acceptance can bring with it new and continuing challenges.

Although the comic wrapped up in 2015, the challenges and experiences of it’s cast remain as relevant as ever – and the re-release of the strip’s initial comics (now colourised) with updated commentary underneath mean those initial explorations of gender and sexuality are being revisited and re-contextualised for the modern era.

El Goonish Shive by Dan Shive

Because if you know one thing by now, it’s that I can’t go an update without referencing EGS at least once!
As another one of the longest-running webcomics on the ‘net (it only beats out Digital Strips by a couple of years!), this comic is a fifteen-year exploration of gender and sexuality, and includes characters who identify as straight, homosexual, bisexual, asexual and pansexual – plus a category or two of it’s own.

Particularly salient to today’s conversation, though, is the development of Tedd Verres over the course of the comic. Beginning as a teen hornbag and overtly homophobic pervert, Tedd’s characterisation has broadened as his access to magical gender-swap technology has allowed him to explore his own gender preferences. In 2014, this led to a personal revelation and gradual acceptance of self:

Shive’s characterisation of Tedd as gender-fluid is important, as this is a particularly under-represented identity amidst historically marginalised individuals. Even as television shows such as Queer Eye and web media like the comics presented above normalise and explore gender and sexuality, there is a habit and an attraction for this exploration to fall back on the more common of these expressions – particularly if the character is central to the narrative and therefore needs to connect with the audience. EGS‘s unflinching determination to bring the whole spectrum of gender and sexuality into the spotlight via its main characters earns it a place on the forefront of promoting tolerance and acceptance for all individuals, through the Webcomics medium.

What other webcomics do you know which deal with issues of gender and sexuality? Let us know in the comments below or by reaching out on Twitter – and keep an eye on the site over the next couple of weeks; with the BIG ONE, episode 500 of Digital Strips coming up, there’s never been a better time to get stuck into some great webcomic content here and on the podcast – and remember, as always: don’t eat the clickbait!


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